Odia Mahabharat
Odia Mahabharat is a retelling of the epic Mahabharat in the Odia language, which is the official language of the Indian state of Odisha. The Odia version of Mahabharat is known as the “Sarala Mahabharata” after its author, the 15th-century poet Sarala Das.
Sarala Das was a great poet and scholar who lived in the medieval period in Odisha. He wrote the Sarala Mahabharata in the Odia language, which is considered one of the most important scripture of Odia literature. Sarala Das’s version of the Mahabharata is unique because it deviates from the original Sanskrit text in several ways. He added new characters and events, and also changed the storyline in some places to suit the local Odia culture and traditions.
The Sarala Mahabharata is worshiped and practised in Odisha and is widely read and performed in various art forms, including drama, dance, and music. The language and style of the Sarala Mahabharata are simple and accessible to the common people, making it a popular literary work. The Sarala Mahabharata is also known for its social and religious messages, and its emphasis on devotion to Lord Jagannath, the God of the Universe.
There is a special mention of The legend of Navagunjara in Odia Mahabharat. Navagunjara is considered a symbol of harmony, diversity, and the unity of all living beings. Its appearance represents the idea that all living beings are interconnected and that diversity should be celebrated rather than feared or rejected. The creature is often depicted in traditional art forms, such as Odissi dance and Pattachitra paintings, as well as in contemporary art and popular culture.
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Navagunjara is a mythical creature from Mahabharat, particularly mentioned in the Odia Mahabharat. The people of Odisha believed Navagunjara, to be a fusion of nine different animals, including lion, elephant,peacock, snake, Cock, horse, deer, Bull and human.
The legend of Navagunjara is associated with the epic Mahabharata, where the Pandavas, the five brothers who were the main protagonists of the epic, encountered the creature during their exile in the forest. The Navagunjara appeared before them, and they were bewildered by its unusual form. However, it soon disappeared after revealing its divine identity and blessing the Pandavas.
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